- Zoe Gilby, Jazz singer with the silken voice
- Jambone and Quay Choir perform Duke Ellington at Ushaw
- NASUWT Brass Band and their Christmas Concert
- Paul Edis and the development of the music in the North East
- (no title)
- Zoe Gilby, the Jazz Singer with the silken voice
- Photographing the Musicians for the 2017 – 2018 Project
- The Willdora,
- Forthcoming venues
- Out on the Road
- Up Running
- The year of the Crafts People
- Portraits from the North East still up and running
- Latest news about our Veterans Project
Monthly Archives: October 2017
Photographing the Musicians
The current Portraits from the North East project, North East Musicians, continues apace. Recent shoots have captured the work of jazz, brass and chamber groups. Three different genres of music sharing a common venue: Ushaw . Each these shoots has had a four-way outcome: images for Ushaw’s use; selected ones for the performers’ own use; images for the Project’s eventual exhibition and/or the online display and, lastly, photographs for me to work on for my own portfolio.
Anyone who has photographed musicians will appreciate that they all share a common love of music. Very few make shed-loads of money but they are happy to be out there, in the limelight, lost in the shared joy of performing. It is this quality that makes photographing them a pleasure to photograph. Their relationship to music and their commitment to being the best musically that they could adds a sparkle to the photos, gifting every image with passion. The good thing about photographing at Ushaw is that there is very little separating the musicians from their audience; and the audiences tend to be very knowledgeable. This relationship with the audience adds to the magic. The people who pay their money to come and see them perform become witnesses (even pilgrims) rather than mere casual guests.
So far, I have been granted almost total freedom to photograph what I feel is appropriate. There are restrictions, but they are simple: not to use flash or a tripod during a performance and to think carefully when to change position and how to “read ” the music so as not to distract with excessive shutter action.
There are other advantages when committing to a longer-term project. You come to understand the “structure” of a concert or performance. Like an avid sports fan who can anticipate when the action on the field will become that decisive moment, you can come to know when the ebb and flow of a performance will render the best results. As for coming back to a familiar venue, you come to know its eccentricities and lighting foibles. With a venue like Ushaw, which depends so much on volunteers, you can soon begin to feel part of the fabric of the place. The way these volunteers and staff react to you helps validate your presence; this in turn helps “settle” the performers. Explaining that you are there to support Ushaw’s management adds a further reassurance.
When it comes to the photography I have an advantage with my little Fuji X-E1 in that it is small and quiet. Using prime lenses limits me a little but the familiarity of them, their fast speed (f2 or f2.4) means I can work in lower light. One of the other factors I have discovered is that it is best to set at a high ISO with a fast shutter speed rather than rely solely upon a moderately enhanced ISO and a slower speed. The settings are usually at ISO 1250 (sometimes as high as 2000) and 1/60+ of a second. This seems to work well enough. What I have to watch out for is trusting the autofocus blindly. In some circumstances it will lock onto something shiny like a brass instrument and, with the focal length at f2, what you were originally aiming to photograph then becomes “soft”. In such circumstances I find it better to opt for manual focusing, often leaving it on manual when shooting becomes fast and furious.
Nothing is ever manipulated in the sense of adding or subtracting bits, though I admit to playing with tone and contrast, adding a vignette or sharpening a little. Using prime lenses in a situation where you might not be able to control the background or where you stand then cropping is something I do use. To turn the colour image into a mono I will de-saturate rather than use the PhotoShop Black and White facility. I have Nik on the bottom of the filter drop-down one PhotoShop. However, using Snapseed’s warm tone tool it does a good job of softening a face. Adding a warm glow also applies to the instruments and when the Da Vinci Quartet saw their photographs that was one thing they commented upon. Perhaps that also reflects not only their priority but is a sly way of saying the other aspects of the pictures were… what to say that is polite?
Photographs from Ushaw’s Jazz festival 2017. To enlarge any image please click onto the relevant image. Thank you